Vintage quality: 1948, 1972, about equal
Vintage quality: 1948, 1972, about equal
According to das-wein-cabinet.de, vintage years 1948 and 1972 are worthy of the same score, both being worse than 1951. Who knew that?
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Blimey; they really do mean port. Can't we set Andre or Axel on them, for the purposes of scorn pouring I mean?
Re: Vintage quality: 1948, 1972, about equal
I think this is not the opinion of das Wein-Cabinet. It is a quote of two vintage assessments. The left column is the assessment of the Instituto do Vinho do Porto, the right column is the assessment of Michael Broadbent. Besides, the two assessments have different scales (0-5 and 0-7, 0 being bad and 5/7 is excellent).
So the scorn is either on the IVDP or Broadbent or both.
So the scorn is either on the IVDP or Broadbent or both.
The Eleventh Commandment: Thou shalt know thy Port
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Well spotted Andre. I have just torn up my stiff letter. Still it seems a bit off.
Re: Vintage quality: 1948, 1972, about equal
So the IVP had 1972 ≈ 1948? Well, that fits if the merchant has accurately transcribed the data.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
I may have to sellotape my stiff letter back together and re-address it to the IVP.
Re: Vintage quality: 1948, 1972, about equal
How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
Rob C.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
Re: Vintage quality: 1948, 1972, about equal
I am reliably informed that there were around 17 VPs produced from the 1948 vintage, 8 of which were by big shippers. This was not an insignificant year.RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
Of the TNs on this site there are four different shippers from 1948 rated in the range 95-97 by AHB. The 1972 TNs are almost universally disliked or mid to low 80s at best.
"The first duty of Port is to be red"
Ernest H. Cockburn
Ernest H. Cockburn
Re: Vintage quality: 1948, 1972, about equal
Accounting for what percentage of port produced? 1-2%? Do we know that it is VP that the 7-point IVDP rating refers to? I'd be surprised if so, since 1981 gets a "3" point rating yet there is only 1 VP i've heard of from that year (hence the lack of any score from Broadbent).DRT wrote:I am reliably informed that there were around 17 VPs produced from the 1948 vintageRAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
Plus there are apparently no ratings for (amongst others) 45, 55 or 94 at all..
Rob C.
Re: Vintage quality: 1948, 1972, about equal
Can you point us to the scales that assess vintage quality on non-vintage wines?
"The first duty of Port is to be red"
Ernest H. Cockburn
Ernest H. Cockburn
Re: Vintage quality: 1948, 1972, about equal
LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
I think my argument is different - there doesn't need to be an "equivalent" if they are looking beyond VP - beyond the "niche" category which accounts for a small percentage of port produced to the bigger picture. Whether that's true in reality - i have no idea. But better to establish what their criteria were before jumping to conclusions
Rob C.
Re: Vintage quality: 1948, 1972, about equal
As far as I am aware the IVDP(IVP) could only have this sort of data on wines intended to be sold as vintage dated. All non-vintage wines are blended before being submitted for assessment.
If I was cynical I might think you were trying to generate a debate where there isn't really one to be had
If I was cynical I might think you were trying to generate a debate where there isn't really one to be had
"The first duty of Port is to be red"
Ernest H. Cockburn
Ernest H. Cockburn
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
I feel reasonably confident to jump to the conclusion that 1972 was tosh.RAYC wrote:LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
I think my argument is different - there doesn't need to be an "equivalent" if they are looking beyond VP - beyond the "niche" category which accounts for a small percentage of port produced to the bigger picture. Whether that's true in reality - i have no idea. But better to establish what their criteria were before jumping to conclusions
Re: Vintage quality: 1948, 1972, about equal
I think that is fair given that the entire vintage was tainted by the inclusion of industrial spirit. 1972 has never been a vintage to look out for other than for academic interest. 1948 is well-known to have some spectacular wines. I think the scales quoted are just plain wrong.LGTrotter wrote:I feel reasonably confident to jump to the conclusion that 1972 was tosh.
"The first duty of Port is to be red"
Ernest H. Cockburn
Ernest H. Cockburn
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Exactly. And the kindest interpretation I can put on RAYC's extraordinary statements are that he is intoxicated. He should go and sleep it off.DRT wrote:I think that is fair given that the entire vintage was tainted by the inclusion of industrial spirit. 1972 has never been a vintage to look out for other than for academic interest. 1948 is well-known to have some spectacular wines. I think the scales quoted are just plain wrong.LGTrotter wrote:I feel reasonably confident to jump to the conclusion that 1972 was tosh.
Re: Vintage quality: 1948, 1972, about equal
On the VP side, Dow and Fonseca Guimaraens are good.LGTrotter wrote:I feel reasonably confident to jump to the conclusion that 1972 was tosh.RAYC wrote:LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
I think my argument is different - there doesn't need to be an "equivalent" if they are looking beyond VP - beyond the "niche" category which accounts for a small percentage of port produced to the bigger picture. Whether that's true in reality - i have no idea. But better to establish what their criteria were before jumping to conclusions
And there are some extremely nice colheitas around. I've enjoyed Dow and Warre a lot, and the San Leonardo 30yr (my favourite 30) is largely based on the 72 vintage as well.
Rob C.
Re: Vintage quality: 1948, 1972, about equal
Well, they are certainly at odds with the vintage summaries on the IVDP site....DRT wrote:I think that is fair given that the entire vintage was tainted by the inclusion of industrial spirit. 1972 has never been a vintage to look out for other than for academic interest. 1948 is well-known to have some spectacular wines. I think the scales quoted are just plain wrong.LGTrotter wrote:I feel reasonably confident to jump to the conclusion that 1972 was tosh.
Rob C.
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Re: Vintage quality: 1948, 1972, about equal
I'll trade you my Dow 1972 for your bottle of Fonseca / Graham / Taylor 1948?RAYC wrote:On the VP side, Dow and Fonseca Guimaraens are good.
And there are some extremely nice colheitas around. I've enjoyed Dow and Warre a lot, and the San Leonardo 30yr (my favourite 30) is largely based on the 72 vintage as well.
Top 2025: Quevedo 1972 Colheita, b.2024. Just as good as Niepoort 1900!
2026: Quinta das Carvalhas 80YO Tawny
2026: Quinta das Carvalhas 80YO Tawny
Re: Vintage quality: 1948, 1972, about equal
Not relevant.LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
1985 has better Ports than 1983, but I'm starting to come around to the belief that 1983 is overall a better year. It has nothing to match the '85 Fonseca or '85 Graham, but other than those two and perhaps the '85 Dow it has better overall quality.
I'm not saying that '72 is the equal of '48, just that it needn't be able to reproduce the '48 Taylor and '48 Fonseca in order to qualify.
Glenn Elliott
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Re: Vintage quality: 1948, 1972, about equal
On my limited experience I would have to disagree. Each time I've tried a representative range of 83s they have been below par. But there are sufficient 85s that have impressed, beyond F and G, that I am happier paying money for them.Glenn E. wrote:1985 has better Ports than 1983, but I'm starting to come around to the belief that 1983 is overall a better year. It has nothing to match the '85 Fonseca or '85 Graham, but other than those two and perhaps the '85 Dow it has better overall quality.
I think it's almost impossible to make meaningful comparisons, but would you really suggest 72 is broadly as good as 48?
Daniel J.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
I hope we all know we have spilt ink over a misprint.
And as for the view that 83 is better than 85, I shall point you to the recent 83 at 30 tasting. I beg of you not to suggest that at some point in the future the 83's will overtake the 85's. They won't, anyway I think we have to judge what we have, not what may or may not be. Especially when considering wines that are around 30 years old.
Not relavent? In comparing 2 vintages we are to exclude from our deliberations two stars of the vintage? Perhaps this is for statistical purposes, knock off the outliers.Glenn E. wrote:Not relevant.LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
1985 has better Ports than 1983, but I'm starting to come around to the belief that 1983 is overall a better year. It has nothing to match the '85 Fonseca or '85 Graham, but other than those two and perhaps the '85 Dow it has better overall quality.
I'm not saying that '72 is the equal of '48, just that it needn't be able to reproduce the '48 Taylor and '48 Fonseca in order to qualify.
And as for the view that 83 is better than 85, I shall point you to the recent 83 at 30 tasting. I beg of you not to suggest that at some point in the future the 83's will overtake the 85's. They won't, anyway I think we have to judge what we have, not what may or may not be. Especially when considering wines that are around 30 years old.
Last edited by LGTrotter on 17:50 Mon 02 Dec 2013, edited 1 time in total.
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Re: Vintage quality: 1948, 1972, about equal
+1
Daniel J.
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Re: Vintage quality: 1948, 1972, about equal
The thing about knocking off the outliers is that those are the ones that most of us will want to drink from those vintages. So they are outliers in terms of their neighbours in the bins from that vintage. They are not in terms of the stuff that gets consumed.
Daniel J.
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Re: Vintage quality: 1948, 1972, about equal
No. You don't exclude them from the deliberations, but you also don't require that they be matched Port-for-Port in the other vintage. Doing so is equivalent to asking, which vintage has the single best Port?LGTrotter wrote:I hope we all know we have spilt ink over a misprint.Not relavent? In comparing 2 vintages we are to exclude from our deliberations two stars of the vintage? Perhaps this is for statistical purposes, knock off the outliers.Glenn E. wrote:Not relevant.LGTrotter wrote:And the equivalent port to those you have mentioned made in 1972 would be?RAYC wrote:How much 48 VP was made? Taylor and Fonseca may be very good, but perhaps the IVDP were casting their net somewhat wider....
1985 has better Ports than 1983, but I'm starting to come around to the belief that 1983 is overall a better year. It has nothing to match the '85 Fonseca or '85 Graham, but other than those two and perhaps the '85 Dow it has better overall quality.
I'm not saying that '72 is the equal of '48, just that it needn't be able to reproduce the '48 Taylor and '48 Fonseca in order to qualify.
Which of these fictitious vintages is better, based on 10-point ratings:
Vintage A: 10, 9, 4, 4, 3, 3, 3, 2, 2, 1
Vintage B: 8, 8, 8, 8, 8, 7, 7, 4, 3, 2
While most of us would most often drink the 10 and 9 from Vintage A, I think most of us would also agree that Vintage B is a better overall year.
We did a similar tasting early this year, and our results were apparently very different than yours. But I don't have broad experience with 1985, so I reserve the right to change my mind (potentially repeatedly) between now and the 1985 horizontal in 2015. And then again after.LGTrotter wrote:And as for the view that 83 is better than 85, I shall point you to the recent 83 at 30 tasting. I beg of you not to suggest that at some point in the future the 83's will overtake the 85's. They won't, anyway I think we have to judge what we have, not what may or may not be.
As things stand right now, and based only on my own experiences, 1983 seems to have a broader high(er)-quality base. 1985 has a couple of stellar Ports, a couple of good ones, and then mostly pretty average stuff. 1983 doesn't have anything quite as stellar as 1985, but has a couple of very good Ports that are just shy of 1985's top tier, several good ones (more than 1985 has), and then the usual average stuff.
I'm also getting the feeling that, just as an example, G83 may rise above G85 with time. It isn't there now, but it feels like it has the potential.
Glenn Elliott
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Re: Vintage quality: 1948, 1972, about equal
The one bottle we had none of at our 83 was unfortunately the Graham.
Daniel J.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Glenn; there is much sense in what you say, I too retain the right to change my mind and be just plain wrong about things.
I am interested to hear your view on the 85's. From my experience I would point to Fonseca, Graham, Dow, Warre, Taylor and Smith Woodhouse as being better in 85 than 83, but I understand that this is subjective.
I cannot bring myself to accept the view that 72 is equal to the 48.
I am interested to hear your view on the 85's. From my experience I would point to Fonseca, Graham, Dow, Warre, Taylor and Smith Woodhouse as being better in 85 than 83, but I understand that this is subjective.
I cannot bring myself to accept the view that 72 is equal to the 48.
Last edited by LGTrotter on 18:32 Mon 02 Dec 2013, edited 1 time in total.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
I have had quite a lot of the 83 Graham which could charitably be considered as unyielding but which I thought was a lumpen misery of a wine. I have run out and have no intention of getting more, however I do still have a stash of that swashbuckling beauty that is the 85 and must get more. Putting my money where my mouth is.djewesbury wrote:The one bottle we had none of at our 83 was unfortunately the Graham.
Re: Vintage quality: 1948, 1972, about equal
As a hypothetical, the question is fair. But the best of the ’72 VPs are worse than the most of the tail of the ’48s, so the hypothetical doesn’t seem relevant.Glenn E. wrote:Which of these fictitious vintages is better, based on 10-point ratings:
Vintage A: 10, 9, 4, 4, 3, 3, 3, 2, 2, 1
Vintage B: 8, 8, 8, 8, 8, 7, 7, 4, 3, 2
Re: Vintage quality: 1948, 1972, about equal
Hmm... I would grant that for Fonseca (clearly), Graham (currently, but possibly not in the future, at least for me), and maybe Dow.LGTrotter wrote:I am interested to hear your view on the 85's. From my experience I would point to Fonseca, Graham, Dow, Warre, Taylor and Smith Woodhouse as being better in 85 than 83, but I understand that this is subjective.
I'm not fond of either Taylor, but prefer the '83. Likewise for Warre. Smith Woodhouse might be a toss-up, but I suspect that in the future I will prefer the '83. Unless I am mis-remembering, Gould Campbell falls clearly in favor of '83, as does Ramos Pinto (which took WOTN at our '83 horizontal, surprising everyone but those who tasted it at Ervamoira on the 2010 Port Harvest Tour). Niepoort? I think I lean toward '83 again, but that may be biased by '85's volatility.
I'm not saying that it is. You asked where '72's equivalents for the '48 Taylor and '48 Fonseca are... I'm just pointing out that they need not exist for '72 to be considered equal or superior.LGTrotter wrote:I cannot bring myself to accept the view that 72 is equal to the 48.
Glenn Elliott
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Do you think that you prefer what to me seem to be rather more austere wines? I venture this with no sense of criticism, I am a little underwhelmed by both Taylor's but the 85 seems a bit more sassy. I am not as sanguine as you are as to the future of the 83's, I think they will simply decline and dry out from where they are. The death of the 85's has been much heralded but I have yet to see much evidence of it.
I should declare an interest, the 85's are a vintage that I bought because I liked them, without the opinion of others. So if I seem more warm in my praise than they warrant perhaps it is more in hope than expectation.
I should declare an interest, the 85's are a vintage that I bought because I liked them, without the opinion of others. So if I seem more warm in my praise than they warrant perhaps it is more in hope than expectation.
Re: Vintage quality: 1948, 1972, about equal
Hmm. This could be fair. Are ’72 colheitas as good as ’48 Vintage Ports? Does anybody know?RAYC wrote:I think my argument is different - there doesn't need to be an "equivalent" if they are looking beyond VP - beyond the "niche" category which accounts for a small percentage of port produced to the bigger picture. Whether that's true in reality - i have no idea. But better to establish what their criteria were before jumping to conclusions
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Now I come to think of it what on earth do you mean by this doubt about the Graham? The 85 has and will continue to laugh disdainfully at the 83.
And to get down to Ramos Pinto and Gould Campbell before you find a winner...
And to get down to Ramos Pinto and Gould Campbell before you find a winner...
Re: Vintage quality: 1948, 1972, about equal
I don't, but I also don't know of any scale or any wine critic who rates vintages based on a mixture of styles. The vast majority of commentators rate Douro vintages based on VP. I have never seen an equivalent scale of Colheita or LBV and certainly not one that tries to rate all three together in some sort of blended proportional representational rubbish.jdaw1 wrote:Hmm. This could be fair. Are ’72 colheitas as good as ’48 Vintage Ports? Does anybody know?RAYC wrote:I think my argument is different - there doesn't need to be an "equivalent" if they are looking beyond VP - beyond the "niche" category which accounts for a small percentage of port produced to the bigger picture. Whether that's true in reality - i have no idea. But better to establish what their criteria were before jumping to conclusions
"The first duty of Port is to be red"
Ernest H. Cockburn
Ernest H. Cockburn
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Andy Velebil
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Re: Vintage quality: 1948, 1972, about equal
I've had the Noval 1972 Colheita which is pretty darn good. But there aren't many '72s around to use as comparison. This guy had to be drunk or stoned when he wrote they are about equal.
Re: Vintage quality: 1948, 1972, about equal
I didn't, unless you rank Taylor, Warre, Niepoort, and Smith Woodhouse all below Ramos Pinto and Gould Campbell.LGTrotter wrote:And to get down to Ramos Pinto and Gould Campbell before you find a winner...
And if you've never had the RP83, well... that's your loss. I recommend emergency procedures to resolve the issue ASAP.
As far as austerity goes, normally I would have guessed the opposite. My palate tends to be similar to Alex's, though not always. Generally speaking I like Vintage Port one of two ways: very young, very boisterous and fruity Port, or very old, mature, and perfectly balanced Port. This whole '80s thing is a new-found pleasure for me, as it is neither of those things.
Note: I currently like G85 better than G83 by about 2 points on average. But I get the feeling that G85 is done improving (oh darn, it stopped at ~93-95 points) while G83 might just be starting to hit its stride. I don't feel confident at projecting into the future, but I feel like G83 might have the potential to peak higher than G85. It's certainly not there right now, though.
Glenn Elliott
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
You're right it was me who rated the Graham, Fonseca, Taylor, Warre and Smith Woodhouse 85 above the 83. Just me, well if you exclude most of the professional pundits. And everybody at the recent 83 tasting. And the majority of tasting notes on this forum. Apart from that I realise I stand alone.
Any further thoughts on the equality of the 48 and 72?
And heaven bless your optimism. I shall file this under 'we shall see'.Glenn E. wrote:Note: I currently like G85 better than G83 by about 2 points on average. But I get the feeling that G85 is done improving (oh darn, it stopped at ~93-95 points) while G83 might just be starting to hit its stride. I don't feel confident at projecting into the future, but I feel like G83 might have the potential to peak higher than G85. It's certainly not there right now, though.
Any further thoughts on the equality of the 48 and 72?
Re: Vintage quality: 1948, 1972, about equal
I have no RP83. Calling all stations: this is an emergency. Mayday. Mayday. Mayday. We need RP83 at The Bung Hole, ASAP.Glenn E. wrote:And if you've never had the RP83, well... that's your loss. I recommend emergency procedures to resolve the issue ASAP.
Please.
Re: Vintage quality: 1948, 1972, about equal
I'll let you know after I open my '48 Graham.LGTrotter wrote:Any further thoughts on the equality of the 48 and 72?
Glenn Elliott
Re: Vintage quality: 1948, 1972, about equal
Ideally with each of the single varietal constituent Ports on hand at the same time. There were 5 bottled, though I cannot confidently name them without referring to my notes. Touriga Nacional and Tinta Roriz I'm sure about. I think the others were Touriga Franca, Tinta Francisca, and Tinto Cão, but I wouldn't swear against Tinta Amarela and Tinta Barroca being in the mix.jdaw1 wrote:I have no RP83. Calling all stations: this is an emergency. Mayday. Mayday. Mayday. We need RP83 at The Bung Hole, ASAP.Glenn E. wrote:And if you've never had the RP83, well... that's your loss. I recommend emergency procedures to resolve the issue ASAP.
Please.
Glenn Elliott
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
(sulky jealous face)Glenn E. wrote:I'll let you know after I open my '48 Graham.LGTrotter wrote:Any further thoughts on the equality of the 48 and 72?
Re: Vintage quality: 1948, 1972, about equal
I would struggle to choose between F85 and G83 as my pick for future "wine of the decade". To my taste, G85 is possibly better than either for drinking pleasure right now, though I don't think there's a huge amount in it.Glenn E. wrote:I didn't, unless you rank Taylor, Warre, Niepoort, and Smith Woodhouse all below Ramos Pinto and Gould Campbell.LGTrotter wrote:And to get down to Ramos Pinto and Gould Campbell before you find a winner...![]()
And if you've never had the RP83, well... that's your loss. I recommend emergency procedures to resolve the issue ASAP.
As far as austerity goes, normally I would have guessed the opposite. My palate tends to be similar to Alex's, though not always. Generally speaking I like Vintage Port one of two ways: very young, very boisterous and fruity Port, or very old, mature, and perfectly balanced Port. This whole '80s thing is a new-found pleasure for me, as it is neither of those things.
Note: I currently like G85 better than G83 by about 2 points on average. But I get the feeling that G85 is done improving (oh darn, it stopped at ~93-95 points) while G83 might just be starting to hit its stride. I don't feel confident at projecting into the future, but I feel like G83 might have the potential to peak higher than G85. It's certainly not there right now, though.
In terms of comparative 83 - 85 merits, I don't think there's a huge amount in it. The recent rise of T85, together with Fonseca and Graham, possibly swing 85 for me. But below that there are a whole slew of 83s that would come above the 85 counterparts.
Rob C.
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JB vintage
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Re: Vintage quality: 1948, 1972, about equal
Regarding 1948 and 1972, has anyone checked if the values quoted are the right ones? Perhaps it is of value checking if these are actually the correct ratings from IVDP and what they are based on? At the IVDP web site I cannot find any ratings at all. Has anyone else found them?
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
I realise that the original topic is now but a distant speck on the horizon but my outsider shot for 'port of the decade' (at fifty or sixty years) would be Warre 1980.Probably best to back it each way.
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LGTrotter
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Re: Vintage quality: 1948, 1972, about equal
Yes I too wondered about this;JB vintage wrote:Regarding 1948 and 1972, has anyone checked if the values quoted are the right ones? Perhaps it is of value checking if these are actually the correct ratings from IVDP and what they are based on? At the IVDP web site I cannot find any ratings at all. Has anyone else found them?
But no I haven't checked the facts. Why spoil a perfectly good debate was my attitude.LGTrotter wrote:I hope we all know we have spilt ink over a misprint.
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JB vintage
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Re: Vintage quality: 1948, 1972, about equal
Yea, it is quite fun and quite vivid. We better assume they are correct to keep the debate going. 
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Re: Vintage quality: 1948, 1972, about equal
Go on then; nail your colours to the mast. Which vintage do you think is better the 83 or the 85?JB vintage wrote:Yea, it is quite fun and quite vivid. We better assume they are correct to keep the debate going.
Re: Vintage quality: 1948, 1972, about equal
This is an emergency. Mayday. Mayday. Mayday. We need RP83, and all single-varietal bottlings, at The Bung Hole, ASAP.Glenn E. wrote:Ideally with each of the single varietal constituent Ports on hand at the same time. There were 5 bottled, though I cannot confidently name them without referring to my notes. Touriga Nacional and Tinta Roriz I'm sure about. I think the others were Touriga Franca, Tinta Francisca, and Tinto Cão, but I wouldn't swear against Tinta Amarela and Tinta Barroca being in the mix.jdaw1 wrote:I have no RP83. Calling all stations: this is an emergency. Mayday. Mayday. Mayday. We need RP83 at The Bung Hole, ASAP.Glenn E. wrote:And if you've never had the RP83, well... that's your loss. I recommend emergency procedures to resolve the issue ASAP.
Please.
Re: Vintage quality: 1948, 1972, about equal
Hmm... currently my top 3 would be ...LGTrotter wrote:I realise that the original topic is now but a distant speck on the horizon but my outsider shot for 'port of the decade' (at fifty or sixty years) would be Warre 1980.Probably best to back it each way.
1985 Fonseca
1987 Taylor Vargellas
1985 Graham
1st and 2nd have swapped back and forth from time to time, but this is typically where I have them. 1980 Dow would currently be 4th, having recently swapped places with 1985 Graham. My last couple of experiences with D80 just haven't been as amazing. I'm not sure what I'd put in 5th if asked to name a top 5, but 1983 Graham would be under consideration along with 1983 Ramos Pinto and 1985 Dow.
Then there are '86 and '87 Malvedos... *sigh*
Glenn Elliott